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Tips For Mixing and Beat Matching Drum and Bass Music: Sterling Rogers

2011-01-05
By: admin
Posted in: Admin Blog
Tips For Mixing and Beat Matching Drum and Bass Music: Sterling Rogers

When you are mixing a good rule of thumb is not to overtax the sound system or clipping will occur or worse you might blow the sound system.

Clipping is when the music begins to distort or have a crackle sound and the sound cuts of and then on again.

When mixing something like drum and bass you want to keep the bass down on one track but not completely out. Give it just enough of the bass so you know it's there.

You want to do this so this because it makes for a cleaner transitions between songs. It also gives you some headroom to really give the house some boom when you cut it in on some 808 drops.

For those who don't know 808 drops come from the Roland 808 drum machine. This drum machine was a favorite among early Hiphop artists for its clean sounding drums.

The 808-drop is a kick drum that is extended over several seconds unlike a normal kick drum, which lasts about one second. It sounds like a low rumble. You want people to be able to feel the bass in their chests!

Also if you cut the bass all the way out it creates a nice high-end effect. The highs are a bit sharper it opens up the mix. Don't give the crowd too many highs because that can become irritating.

Be creative in your mix and don't be afraid to experiment. When it comes to mixing there is no right or wrong ways really.

It all depends on whether or not the crowd is feeling your music. They are the best source of feedback for your mix.

The 3 Steps you need to beat match 2 songs together.

Step 1

Now for this tutorial the turntable on your left we will call deck 1 and the turntable on your right we will call deck 2.

Deck 1 will have the record we will mix with deck 2. Deck 2 will be the play deck.

It will play the record that we will mix with deck 1. Start to play the record on deck 2.

Step 2

Now cue the record on deck 1 to a point that is several bars ahead of deck 2.

By cueing the record I mean placing the needle on the record at a point further in the song and holding it there with your finger. Put enough pressure on the record to hold it in place while allowing the platter to spin underneath.

Step 3

When the record on deck 2 reaches your cue point on deck 1 you want to release the record on deck 1 from its cue point so it plays in sync with the record on deck 2.

Keep practicing this exercise until you get both decks playing in sync.

What to do if you cannot get both records to play exactly at the same time when you are beat matching.

You may not get both records to play exactly at the same time. In this case you may have brought the record on deck 1 into the mix with the record on deck 2 a little slow and now the beats don't match.

If this is the case you can use your decks pitch control to fix this issue.

If your record on deck 1 is playing too slow increase its speed by using the pitch control on your deck until it starts to play in sync with the record on deck 2.

You may need to increase the pitch to the point where it is playing faster than the record on deck 2 and then decrease the pitch until it syncs with the record on deck 2.

If the record on deck 1 is playing faster than the record on deck 2 then you need to decrease the speed of the record on deck 1 with its pitch control until it is in sync with the record on deck 2.

Some times you need additional help with this exercise and to speed up the learning curve it is often helpful to see how beat matching is done.

Sterling is an article marketer and SEO enthusiast. He has been marketing online since 2003 in many disciplines. Visit his latest website which helps people decide which brands are the best brake pads such as the Ferodo brake pads.

Article Source: http://EzineArticles.com/?expert=Sterling_Rogers

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